Johann Zoffany – The family of Charles Schaw, 9th Baron Cathcart (1721-76)
pastel on paper
Location: Victoria and Albert Museum, London.
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At the heart of the scene, a young girl is positioned at a keyboard, her fingers poised over the keys. Her focused expression indicates engagement with the instrument, while the presence of sheet music implies a degree of formal training or practice. A woman seated beside her appears to be singing, holding lyrics in her hand and directing her gaze towards the musician. Two other women stand nearby, one supporting herself with a fan and displaying an air of refined composure, the other looking directly at the viewer with a somewhat enigmatic expression.
A young man stands on the right side of the composition, his posture relaxed and a slight smile playing on his lips. His gaze is directed towards the central group, suggesting amusement or enjoyment of the musical performance. Another young man stands beside him, adopting a similar pose and mirroring his companion’s demeanor. The arrangement of figures creates a sense of intimacy and familial connection, while their attire – elaborate gowns for the women and formal coats for the men – indicates a position of social standing and wealth.
The background is rendered in muted tones, with indistinct architectural details suggesting an interior space. This deliberate lack of detail draws attention to the figures themselves and reinforces the impression of a carefully staged portrait intended to convey notions of domestic harmony, musical accomplishment, and aristocratic status. The lighting appears soft and diffused, contributing to the overall atmosphere of elegance and refinement.
Subtly, theres an interplay between formality and informality. While the clothing denotes wealth and social standing, the relaxed postures and interactions suggest a comfortable familiarity within the family unit. The inclusion of music – a common symbol of education and cultural sophistication – underscores their refined tastes and aspirations. The varying gazes among the figures introduce a layer of complexity; some appear engaged in the performance, while others seem to acknowledge the viewer or display private thoughts, hinting at individual personalities within the collective portrait.