Johann Zoffany – Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto
c.1780. 193×165
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The artist has arranged the figures in a triangular configuration, drawing the eye across the scene and creating a sense of interconnectedness. The cello player occupies the lower center, his posture suggesting both engagement and relaxation. His attire – a mustard-colored coat over breeches and stockings – indicates a degree of formality and social standing. The man in red, presumably the artist himself, is positioned as an observer and participant simultaneously; he appears to be presenting or showcasing the musical moment. The young girl’s presence introduces a familial element, softening the otherwise formal arrangement. Her gaze is directed towards the cello player, suggesting a connection between generations and perhaps hinting at the transmission of artistic skills or appreciation for music.
The older gentleman in the armchair seems to embody wisdom and experience. His posture – leaning forward with his chin resting on his hand – conveys an air of thoughtful consideration. The presence of an easel bearing a canvas in the background reinforces the setting as an artists studio, further suggesting that this is a portrait intended to celebrate artistic endeavors or familial relationships within a creative environment.
The lighting is carefully controlled, highlighting key figures and creating depth within the scene. Shadows are used to define form and add visual interest. The color palette is dominated by warm tones – reds, yellows, and browns – which contribute to a sense of intimacy and domesticity. The overall effect is one of quiet dignity and familial harmony, subtly suggesting themes of artistic legacy, mentorship, and the importance of shared cultural pursuits.