William Etty – Reclining female Nude in a Landscape
1830-35. 48.5 cm × 63.7 cm, Oil on wood
Location: York Art Gallery, York.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape behind her is rendered with looser brushstrokes, creating a sense of depth and atmospheric perspective. A stream or river winds through the background foliage, reflecting light and contributing to the overall feeling of tranquility. The trees are densely packed, their dark forms contrasting sharply with the pale skin of the figure and the lighter tones of the cloth.
The artist’s use of chiaroscuro – the dramatic contrast between light and shadow – is particularly noteworthy. Light falls predominantly on the womans body, highlighting its curves and contours while leaving much of the surrounding landscape in deep shadow. This technique not only enhances the figures physicality but also contributes to a sense of mystery and seclusion.
Subtextually, the work appears to engage with themes of classical mythology and idealized beauty. The female form echoes depictions of goddesses or nymphs from ancient art, suggesting a connection to timeless narratives of nature and desire. Her pose, reminiscent of reclining figures in Roman sculpture, further reinforces this association. However, the direct gaze and the somewhat melancholic expression introduce an element of psychological complexity that moves beyond simple idealization. She is not merely an object of beauty but appears to possess an inner life, a sense of awareness that complicates her representation. The darkness surrounding her suggests vulnerability or perhaps a hidden narrative – a feeling of being observed or concealed within the natural world.