The Raising of Lazarus, probably 1497, 65.5x80.5 c Benozzo (Benozzo di Lese) Gozzoli (c.1420-1497)

The composition presents a dramatic scene unfolding within a confined space, transitioning into a distant landscape. A central figure, identifiable as a man with long hair and beard, stands in a gesture of outstretched hands toward a prostrate individual wrapped in white linen. This figure is surrounded by a group of men, some displaying expressions of astonishment and reverence, others appearing more somber or hesitant.
The arrangement of the figures suggests a hierarchical structure. The central figure commands attention through his positioning and posture; he appears to be the focal point of the event. The man being raised from what seems to be a stone slab is positioned directly in front of him, emphasizing the acts significance. A smaller group of onlookers are clustered on the left side of the scene, their faces conveying a range of emotions – surprise, grief, and perhaps disbelief.
The artist employed a palette dominated by earthy tones – ochres, browns, and greens – which contribute to a sense of solemnity and antiquity. The light source appears to originate from the central figure, illuminating him and casting shadows that deepen the emotional intensity of the moment. A subtle use of chiaroscuro enhances the three-dimensionality of the figures and adds visual drama.
Beyond the immediate group, a landscape is visible in the background. It features buildings, trees, and what appears to be a walled city or settlement on a hillside. This backdrop provides a sense of scale and context for the event, suggesting that it takes place within a larger community. The distant view also introduces an element of hope and renewal, contrasting with the darkness of the tomb from which the man is being raised.
Subtleties in detail offer further layers of interpretation. The draped fabric on the prostrate figure suggests both vulnerability and fragility. The expressions on the faces of the onlookers reveal a complex interplay of faith, doubt, and human emotion. The architectural elements in the background hint at a connection between the spiritual realm and the earthly world.
The painting’s overall effect is one of profound emotional depth and spiritual significance. It conveys a narrative of resurrection and divine intervention, while also exploring themes of grief, hope, and the power of faith.