Saint Ursula with Angels and Donor, 1455, 47x28.6 cm Benozzo (Benozzo di Lese) Gozzoli (c.1420-1497)

The fragment presents a close-up view of a devotional panel, likely part of a larger altarpiece or private chapel decoration. The composition is densely layered with figures and symbolic elements, suggesting a narrative scene steeped in religious significance.
Here we see an angel positioned centrally within the frame. He is depicted with youthful features, rendered in a green tunic that contrasts against the darker background. His expression appears serene, almost melancholic, while his posture suggests both support and contemplation. The wings are elaborately feathered, exhibiting a detailed rendering of individual plumes, and their reddish hue introduces a subtle warmth to the composition. A banner is held aloft by the angel; its surface is partially obscured but bears inscribed text.
To the left of the angel, a portion of what appears to be a boat or vessel is visible, hinting at a journey or passage – a common motif in religious narratives signifying spiritual transition. The lower edge of this structure is decorated with intricate carvings, adding visual complexity and suggesting craftsmanship.
On the right side of the frame, only a segment of another figure’s face is discernible. This individual possesses delicate features and a pale complexion, framed by what appears to be a halo. Inscribed text encircles her head, further emphasizing her sanctity or divine connection. The limited view prevents a full assessment of this characters role within the larger narrative.
The color palette is restrained but effective. Earth tones dominate, punctuated by the green tunic and the white banner. This creates a sense of solemnity and reverence appropriate for a religious subject matter.
Subtly, the composition conveys themes of divine intervention, spiritual guidance, and perhaps, protection or mourning. The presence of angels suggests heavenly assistance, while the boat may symbolize a perilous journey undertaken with faith. The partial view of the female figure implies a sense of loss or veneration for a deceased individual – possibly a patron whose portrait is incorporated into the work as an act of piety. The inscription on both the banner and the haloed head likely provides further context regarding the identities and roles of these figures, enriching the narrative depth of the panel.