Gozzoli The Raising of Lazarus, probably 1497, 65.5x80.5 cm, Benozzo (Benozzo di Lese) Gozzoli (c.1420-1497)

The composition presents a narrative scene unfolding within a meticulously rendered landscape. A central tomb dominates the left side of the canvas, its dark opening contrasting sharply with the figures clustered around it. Emerging from this darkness is a figure, draped in white linen, seemingly being assisted upwards by an individual positioned at the tomb’s edge.
A group of onlookers, richly attired and displaying a range of emotional responses – astonishment, reverence, and quiet contemplation – are arranged on the right side of the scene. Their garments suggest a degree of social standing; some wear elaborate robes and hats, while others are clad in simpler attire. The central figure among them, presumably the leader or instigator of this event, is depicted with raised hands, seemingly directing the action.
Behind the immediate group, the landscape stretches into the distance. A stylized city sits atop a hill, bathed in a warm, golden light. Palm trees punctuate the skyline, adding to the exotic and somewhat idealized quality of the setting. The artist has employed a muted palette, dominated by earthy tones – ochres, browns, and greens – which contribute to an overall sense of solemnity and grandeur.
The meticulous detail given to the clothing and facial expressions of the figures suggests a focus on portraying human emotion and social hierarchy within a religious context. The landscape itself appears less concerned with topographical accuracy than with creating a symbolic backdrop for the narrative. The city in the distance, bathed in light, could be interpreted as representing divine grace or salvation.
The arrangement of the figures around the tomb creates a sense of depth and perspective, drawing the viewers eye towards the resurrected figure. The overall effect is one of controlled drama and spiritual significance, suggesting an event of profound importance witnessed by a community bound together by faith.