The Raising of Lazarus, probably 1497, 65.5x80.5 c Benozzo (Benozzo di Lese) Gozzoli (c.1420-1497)

The fragment presents a densely populated landscape viewed from a slightly elevated perspective. A substantial city dominates the middle ground, its architecture characterized by numerous towers and fortified structures clustered together on a hillside. The buildings appear somewhat schematic in their rendering, suggesting more an idealized representation of urban life than a precise depiction of a specific location.
The artist employed a warm palette, primarily utilizing ochre, gold, and brown tones to convey the scenes luminosity and create a sense of grandeur. A significant portion of the composition is occupied by a mountainous terrain that rises behind the city. The mountains are rendered with dark green foliage interspersed with rocky outcrops, contributing to a feeling of depth and scale.
In the foreground, figures are discernible, though their details are partially obscured. They appear to be arranged in a group, some wearing halos indicating sanctity. Their gestures suggest observation or participation in an event occurring beyond the frames boundaries. The positioning of these individuals, coupled with the elaborate cityscape behind them, implies a narrative context – a moment of witnessing or involvement in something significant.
The overall effect is one of controlled perspective and symbolic density. The city’s prominence might signify spiritual or political power, while the mountainous backdrop could represent challenges or obstacles to be overcome. The inclusion of figures with halos introduces a religious dimension, hinting at divine intervention or revelation within this complex setting. The paintings style suggests an interest in conveying not just visual information but also deeper theological and symbolic meanings.