Pascal Adolphe Jean Dagnan-Bouveret – Supper at Emmaus
1896-97.
Location: Carnegie Museum of Art, Pittsburgh.
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Three other figures are present. Two men sit on either side of the central figure, their faces turned upwards and exhibiting expressions of surprise or recognition. Their postures suggest they are engaged in an act of reverence or contemplation. A fourth individual, dressed in green, stands behind them, also holding a plate with food. To the right, another man and a young boy are partially obscured by a curtain, their gazes directed towards the central figure.
The table is covered with a simple white cloth, and plates containing bread are placed before each participant. The background reveals a landscape viewed through an open archway – a vista of rolling hills and distant buildings bathed in soft light. This backdrop contributes to a sense of serenity and timelessness.
Subtleties within the painting suggest deeper meanings. The contrast between light and shadow emphasizes the central figures significance, positioning him as a source of illumination or revelation. The expressions on the faces of those present convey a moment of profound realization – a sudden understanding that transcends the ordinary. The inclusion of the young boy hints at the continuity of faith across generations.
The overall effect is one of quiet solemnity and spiritual awakening. It evokes themes of recognition, divine presence, and the transformative power of shared experience.