AfII 0009 The Ass in the Lions Skin CharlesSantore sqs Charles Santore (1935-)

The drawing presents a scene of immediate and chaotic confrontation. A large animal, seemingly a lion in form but clearly not so, dominates the composition. It is caught mid-leap, its posture suggesting both aggression and vulnerability. The creatures mouth is agape, revealing teeth, while its eyes are wide with what appears to be surprise or fear. Its paws clutch at another animal – a genuine lion – which is positioned above it, also displaying a startled expression.
The background establishes a desert-like setting, rendered in muted tones of brown and beige, which contrasts sharply with the vibrant yellows and oranges of the central figures. A small fox stands to the left of the scene, observing the unfolding drama with an air of detached amusement or cunning. The fox’s posture – erect and alert – suggests a knowing awareness of the deception at play.
The color palette is significant; the use of warm hues for the main characters emphasizes their emotional intensity while the cool blue sky provides a backdrop that heightens the drama. The artists rendering style leans towards realism, with careful attention paid to anatomical detail and texture, particularly in the depiction of fur and musculature.
Subtextually, here we see a narrative built around disguise and exposure. The animal wearing the lion’s skin is attempting to pass as something it is not, but its ruse is about to be revealed through direct confrontation with the genuine article. The foxs presence introduces an element of moral commentary; it represents shrewdness and perhaps even a degree of mockery towards those who engage in deception. The scene speaks to themes of identity, appearance versus reality, and the inevitable consequences of fraudulent behavior. It suggests that attempts at imitation or disguise are ultimately unsustainable when faced with authentic power or truth.