Oz #14 Charles Santore (1935-)

Here we observe a figure immersed within a dense field of corn stalks. The individual is clearly constructed from disparate materials – straw, fabric, and what appears to be leather boots – suggesting an artificial or assembled nature. A wide-brimmed hat obscures much of the face, though glimpses reveal features that are stylized rather than realistically rendered. The clothing consists of roughly sewn garments in shades of blue, further emphasizing a sense of improvisation and unconventional construction.
The composition is vertically oriented, drawing the eye upward along the figure’s form and into the thicket of corn. The color palette is dominated by warm yellows and browns of the cornfield, contrasted with the cooler blues of the figures attire. This contrast creates visual interest and potentially symbolizes a tension between the natural world and an artificial presence within it.
The posture of the figure conveys a sense of weariness or introspection. He leans heavily on what appears to be a makeshift staff, suggesting burden or fatigue. The placement within the cornfield implies concealment or isolation; he is both part of and separate from his surroundings.
Subtexts within this depiction might explore themes of artificiality versus nature, identity formation through assemblage, and the burdens carried by those who exist outside conventional norms. The figure’s constructed appearance could be interpreted as a commentary on societal expectations or the challenges of self-discovery. The cornfield itself may represent abundance and growth, yet the figures position within it suggests an inability to fully participate in that vitality. Ultimately, the image evokes a feeling of melancholy and quiet contemplation regarding existence and belonging.