#36259 Francisco Sebastian

Here we see a composition dominated by geometric forms and a muted palette of ochre, cream, and grey. The artist has constructed a scene that feels simultaneously architectural and abstract. A large, horizontal plane occupies the middle ground, acting as a visual anchor. This plane is broken up by vertical elements – a tall, rectangular form to the right and several smaller shapes emerging from the lower left corner.
The forms are rendered with broad strokes of paint, suggesting a deliberate simplification of reality. Theres an emphasis on volume rather than detail; the surfaces appear solid and weighty. The light source is ambiguous, casting soft shadows that further flatten the perspective and contribute to the overall sense of stillness. A small, white form – perhaps a bird or a stylized figure – is positioned centrally, offering a point of visual interest against the otherwise monochromatic background.
The arrangement evokes a feeling of enclosure, as if one were viewing a courtyard or an interior space through a narrow opening. The lack of clear depth and the repetition of geometric shapes create a sense of timelessness and universality. Theres a quiet dignity to the scene; it’s not overtly dramatic but possesses a subtle power derived from its formal structure and restrained color scheme.
The artist seems less concerned with depicting a specific place or object than with exploring the relationships between form, space, and light. The work invites contemplation on the nature of perception and the construction of reality through visual representation. It suggests an interest in the essential qualities of architecture and landscape, stripped down to their most fundamental elements.