Francesco Albani (Manner of) – Diana and Callisto with Nymphs
84×110
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Several other figures surround them; some appear to be observing the unfolding drama with expressions ranging from concern to curiosity. These secondary characters, likely nymphs judging by their attire and demeanor, contribute to the narrative complexity, suggesting a wider social context for this encounter. Their varied reactions hint at differing perspectives on the central event.
The artist has employed a muted color palette, dominated by earthy tones of green, brown, and ochre, which reinforces the naturalistic setting. Light falls unevenly across the scene, highlighting certain figures while casting others in shadow, further emphasizing the emotional intensity of the moment. The use of chiaroscuro creates depth and drama, drawing the viewer’s eye to the key players in the narrative.
The landscape itself is rendered with a degree of detail, featuring lush foliage and distant hills that recede into a hazy atmosphere. This backdrop provides a sense of scale and reinforces the feeling of isolation within this wooded sanctuary.
Subtleties in gesture and expression suggest a complex interplay of power dynamics and emotional states. The scene seems to depict a moment of revelation or transgression, laden with implications about morality, divine intervention, and human fallibility. The presence of bows and arrows lying on the ground hints at themes of hunting, pursuit, and potential retribution. Overall, the painting conveys a narrative that is both visually compelling and emotionally resonant, inviting contemplation on its underlying meaning.