Part 4 – Tommaso Masaccio (1401-1428) - Predella panel from the Pisa Altar - Beheading of St John the Baptist
1426. 21x30
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The act itself is carried out by a man wielding a sword, raised high above the victim’s neck. The light catches the blade, emphasizing its sharpness and the imminent violence. Surrounding this central action are other figures, each with distinct roles. One stands behind the condemned, draped in vibrant red fabric that serves as both a visual shield and a symbolic marker of authority. Two men flank him; one appears to be actively participating in the execution, holding a heavy mallet poised for impact, while the other seems more like an observer or guard. A fifth figure, positioned further back, wears a distinctive hat and cloak, suggesting a position of power or leadership within this group.
The composition is notable for its deliberate arrangement of figures and their interaction with the architectural setting. The verticality of the walls creates a sense of enclosure and formality, contrasting with the brutal nature of the event depicted. The limited color palette – dominated by earth tones punctuated by the striking red – contributes to the overall solemnity and gravity of the scene.
Subtleties in the figures’ expressions are difficult to discern definitively, but there is a general absence of overt emotion beyond what might be expected given the circumstances. This restraint lends an air of detached observation to the event, suggesting that it is not merely a depiction of violence, but also a commentary on power, duty, and perhaps even faith. The basin collecting blood introduces a symbolic element – a reference to sacrifice or cleansing – that elevates the scene beyond a simple act of execution. The rocky backdrop hints at a wilderness setting, further distancing the event from any sense of civilized order.