Part 4 – Nicolaes Maes (1632-1693) - The old woman peeling apples
1655. 55x50
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The central figure is an elderly woman engaged in the simple act of peeling apples. Her posture suggests weariness; she leans forward slightly, her hands carefully manipulating the fruit. The details of her face – the deep lines etched by time, the downturned mouth – convey a sense of resignation or perhaps quiet contemplation. She wears a plain white cap and dark clothing, indicative of a humble social standing.
Around her are several objects that provide context to her existence. A spinning wheel stands prominently on the right side, suggesting a traditional occupation, though it is not actively in use. A small basket filled with apples sits near her feet, while a few peeled apple slices rest on a plate held in her lap. An open book lies on a table beside the window, hinting at literacy and perhaps a desire for intellectual stimulation despite her circumstances. The presence of these objects – the tools of labor, the sustenance of life, and the pursuit of knowledge – all contribute to a narrative about aging, work, and the passage of time.
The artist’s use of light is particularly noteworthy. It doesnt merely illuminate; it sculpts the figure and highlights her vulnerability. The darkness enveloping the room serves to isolate her, emphasizing her solitude. This deliberate manipulation of light and shadow creates an emotional depth that transcends a simple depiction of daily life.
Subtexts within this scene revolve around themes of poverty, aging, and the dignity of labor. The woman’s occupation is not glamorous; its repetitive and physically demanding. Yet, she performs her task with a quiet grace, suggesting a resilience and acceptance of her place in the world. The painting invites reflection on the value of simple acts, the beauty found within everyday routines, and the enduring human spirit even amidst hardship.