Part 4 – Sebastiano Ricci (1659-1734) - The Olympian gods - Diana
c.1700
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The male figure, rendered in warm, earthy tones, appears to be engaged in a physical struggle. He is partially obscured by the rocky terrain on which he lies, suggesting entrapment or defeat. His posture communicates resistance, yet his body language also implies submission to the power of the woman above him. The artist has emphasized his muscularity, but it seems futile against the force exerted upon him.
To the right of the female figure stands a winged male attendant, holding aloft a long staff or spear. He is depicted in a lighter palette, contrasting with the darker tones of the struggling man and contributing to a sense of ethereal presence. His posture suggests vigilance and support for the woman’s actions.
The background features swirling clouds and indistinct forms, creating an atmosphere of dramatic tension and suggesting a celestial realm. The limited color range – primarily browns, ochres, creams, and muted blues – contributes to a somber yet majestic mood.
Subtextually, this scene appears to depict a narrative of triumph over adversity or the subjugation of primal forces by divine intervention. The female figure likely embodies a principle of order or justice, while the male figure represents chaos or temptation. The attendant’s presence reinforces the idea of celestial guidance and support for the righteous action. The rocky landscape could symbolize obstacles overcome or the harsh realities of existence. Overall, the painting conveys a sense of moral struggle and divine power operating within a dramatic and visually compelling framework.