Part 4 – Rembrandt (1606-1669) - Self-portrait in a Cap and Fur-trimmed Cloak
1634. 58х48
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
He wears a dark cap, its brim casting shadows across his forehead, and a cloak lined with fur, which adds a layer of visual richness and suggests a degree of prosperity or status. The artist rendered the fur with loose brushstrokes, creating a tactile quality that contrasts with the more precise detailing of the face.
The man’s expression is complex; it conveys both introspection and a quiet dignity. Theres a hint of melancholy in his eyes, but also an underlying strength and self-awareness. The slight asymmetry of his features – the subtle curve of his mouth, the unevenness of his eyebrows – contributes to a sense of realism that avoids idealization.
The brushwork is loose and painterly throughout, particularly noticeable in the rendering of the fur and the background. This technique lends a sense of immediacy and spontaneity to the work, as if capturing a fleeting moment in time. The artist’s evident mastery of light and shadow creates an atmosphere of profound psychological depth. It suggests not merely a likeness but also a glimpse into the sitters inner world – a contemplation on age, experience, and perhaps even mortality.