#03377 Angel Planells

The composition presents a dreamlike landscape, characterized by a jarring juxtaposition of disparate elements and a palpable sense of unease. A female figure, rendered with smooth lines and pale skin, stands within a dilapidated structure that dominates the left side of the canvas. Her posture suggests an outstretched gesture towards a large, luminous sphere positioned centrally. This orb, bathed in a soft glow, appears to float above a draped sheet, creating a focal point that draws the viewers attention.
To the right, a dark horse stands poised on a sandy expanse, its head turned as if observing the scene with an almost melancholic gaze. The animal’s presence introduces a note of wildness and potential threat into this otherwise surreal environment. Scattered objects – a box, a boat, a bird, and what appears to be a discarded shoe – are strewn across the foreground, adding to the feeling of disorientation and abandonment.
The architectural structure itself is rendered with an unsettling combination of realism and distortion. A window reveals a glimpse of interior space, yet the building’s overall form seems unstable, as if on the verge of collapse. The sky above is painted in swirling blues and whites, contributing to the atmosphere of heightened emotion and psychological complexity.
The color palette is dominated by warm yellows and oranges contrasted with cool blues and greens. This contrast reinforces the sense of tension between opposing forces – perhaps representing hope and despair, reality and illusion. The signature AVOID FREUDIAN and the date “1972” are inscribed on a plaque at the bottom left corner, hinting at an intentional rejection of psychoanalytic interpretation, yet ironically inviting deeper scrutiny of the work’s symbolic content.
Subtly, the painting seems to explore themes of vulnerability, isolation, and the search for meaning in a fragmented world. The female figures gesture could be interpreted as an attempt to reach out or connect with something beyond her immediate surroundings, while the horse embodies untamed instinct and perhaps a longing for freedom. Ultimately, the work resists easy categorization, instead prompting viewers to confront their own subjective interpretations of its enigmatic imagery.