Bergognone – Madonna and Child with the Eternal Father and Angels
1490. 210х145. fresco transferred to canvas. Painted for the church of S. Maria dei Servi in Milan.
Location: Pinacoteca di Brera, Milano.
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Above them, within a golden architectural niche, appears a bearded figure surrounded by several winged beings. This upper register establishes a hierarchical relationship, suggesting the paternal source of divine grace and blessing. The angels flanking the central figures are depicted playing musical instruments – lutes or similar stringed devices – adding to the atmosphere of celestial harmony and celebration. Their pale skin contrasts with the vibrant colors of the Virgin’s garments, drawing attention to their ethereal quality.
The artist employed a flattened perspective characteristic of early Renaissance painting. The lack of deep spatial recession contributes to the images symbolic nature rather than its realistic depiction. Light falls evenly across the scene, illuminating the figures without creating strong shadows or dramatic contrasts. This even lighting reinforces the sense of calm and spiritual elevation.
Subtly, the arrangement suggests a familial bond within the divine realm. The Virgin’s posture – holding her child close while simultaneously extending her gaze outward – implies both maternal protectiveness and an offering to the world. The presence of the paternal figure above underscores the concept of divine lineage and the interconnectedness of generations within the sacred narrative. The angels, as intermediaries between heaven and earth, further emphasize this connection. Overall, the painting conveys a message of piety, grace, and the profound relationship between the divine and humanity.