Sir Roger Burgoyne Riding ’Badger’ James Seymour (1702-1752)

The composition presents a man on horseback within a landscape setting. He is centrally positioned, mounted upon a large, pale grey horse that dominates much of the visual space. The rider wears elaborate military attire – a richly patterned coat with gold embellishments and a tall tricorne hat – suggesting a position of authority or status. A riding crop is held in his right hand, while his left rests lightly on the reins.
A small hunting dog accompanies them, positioned slightly ahead and to the left of the horse. The animal appears alert, its gaze directed forward, seemingly tracking something beyond the frames edge. To the left, a stone pedestal supports an ornate urn or vase; inscribed upon it are what appear to be Latin phrases, adding another layer of potential meaning related to commemoration or legacy.
The background is rendered in muted greens and browns, depicting a dense woodland area with indistinct trees. The light source appears to originate from the upper left, casting shadows that define form and create depth within the scene. A sense of controlled movement is conveyed by the horse’s posture and the riders upright stance.
Beyond the straightforward depiction of a man and his steed, several subtexts emerge. The elaborate clothing and military bearing suggest an emphasis on social standing and perhaps a display of power or influence. The inclusion of the hunting dog hints at leisure activities enjoyed by the elite, while also alluding to notions of skill and mastery over nature. The inscribed urn introduces themes of remembrance and potentially a connection to classical ideals – a common strategy in portraiture to elevate the subject’s image through association with historical figures or virtues. The overall impression is one of carefully constructed grandeur, designed to project an image of nobility and refinement.