Francois Boucher – Danaë and the Shower of Gold. Study
29×35
Location: National Museum (Nationalmuseum), Stockholm.
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To the right of Danaë, a cherubic figure, likely Cupid or a putto, is nestled amongst the drapery. This figure is also rendered with a fleshy, rounded form and holds a quiver and arrow, typical attributes of Cupid. A large, billowing canopy or cloud formation dominates the upper right section of the painting, obscuring the source of the golden shower and adding a sense of drama and dynamism to the scene. The background is dark and indistinct, focusing attention on the figures and the golden rain.
The subtexts of this painting relate to themes of divine intervention, fertility, and seduction. Danaë was imprisoned by her father, Acrisius, who feared a prophecy that his grandson would kill him. Zeus, however, disguised himself as a shower of gold to impregnate her, resulting in the birth of the hero Perseus. The golden shower is a direct representation of Zeuss divine and potent seed, symbolizing his power and ability to overcome earthly barriers and impregnations. The presence of Cupid further emphasizes the themes of love, desire, and procreation. The opulent fabrics and Danaës sensual pose suggest luxury and a receptive embrace of the divine visitor, hinting at the inevitable fulfillment of destiny and the power of attraction. This painting, as a study, likely explores the composition and emotional impact of this mythological event.