Francois Boucher – The Rising of the Sun
1753. 318x261. Wallace Collection, London
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Surrounding this central figure are numerous smaller figures – putti, nymphs, and what appear to be personifications of natural elements. Several cherubic beings scatter across the upper portion of the canvas, some holding musical instruments or engaging in playful gestures. They contribute to a sense of joyous celebration and divine intervention. To the left, a female figure seated on a chariot pulled by horses appears to be observing the central event with an expression of reverence or supplication. Below, a group of reclining figures, seemingly representing sea deities or spirits, are partially obscured by shadow and appear to be either resisting or being overcome by the rising light.
The color palette is characterized by a dramatic contrast between dark blues and browns in the lower portion of the painting and vibrant yellows, oranges, and pinks in the upper regions. This stark juxtaposition reinforces the theme of emergence from darkness into illumination. The artist employed loose brushwork and a sense of movement throughout the composition, creating an impression of dynamism and theatricality.
Subtextually, the work seems to explore themes of rebirth, triumph over adversity, or the dawn of a new era. The central figure’s gesture suggests a power capable of dispelling darkness and bringing forth enlightenment. The presence of mythological figures hints at a narrative rooted in classical mythology, possibly depicting a moment of divine intervention or the manifestation of a powerful force. The overall effect is one of spectacle and grandeur, evoking feelings of awe and wonder.