Angel at the Healing Waters of Bethesda John La Farge (1835-1910)

The composition presents a narrative scene rendered in stained glass, characterized by a rich palette and intricate detailing. The overall impression is one of solemnity and spiritual significance.
Here we see two distinct panels that work together to form a larger visual story. The left panel depicts a figure, presumably male, clad in flowing robes of reddish-purple hue. He appears to be gesturing downwards towards a seated individual whose posture suggests infirmity or dependence. This person is draped in dark, somber clothing, and their position implies vulnerability and need. A sense of quiet urgency emanates from the standing figure; his stance conveys an act of assistance or perhaps divine intervention. The architectural setting – suggested by the stone steps and surrounding structure – provides a backdrop that grounds the scene within a specific location, likely a public space intended for communal activity.
The right panel introduces a celestial element: an angel, depicted with expansive wings rendered in shades of orange, yellow, and red. This figure is positioned above the scene unfolding in the left panel, seemingly overseeing or participating in the event below. The angel’s posture suggests movement – a descent from the heavens – and its presence imbues the composition with a sense of otherworldly power. Below the angel, a body lies partially submerged within water, adding another layer of symbolic complexity. This element could represent healing, purification, or even sacrifice.
The use of stained glass is crucial to understanding the work’s intended effect. The translucent quality allows light to pass through, creating an ethereal glow that enhances the spiritual atmosphere. The deep blue background serves as a contrasting foil for the vibrant colors within the panels, further emphasizing their symbolic weight.
At the base of each panel, inscriptions are visible, encased within decorative wreaths. These texts likely provide context or commentary on the depicted events, reinforcing the narrative’s religious significance and offering guidance to the viewer. The dates 1815 and 1831 inscribed in the wreaths suggest a historical connection or commemoration related to the scenes portrayal.
Subtly, the work explores themes of compassion, healing, faith, and divine intervention. The contrast between the earthly suffering represented by the seated figure and the heavenly grace embodied by the angel creates a powerful visual tension that invites contemplation on the nature of human need and spiritual solace.