Marie-Sophie de Courcillon, Duchesse de Pecquigny, Princesse de Rohan (1713-1756) Maurice Quentin de La Tour (1704-1788)

Here we observe a portrait depicting a woman in a three-quarter pose. She is positioned slightly off-center, her gaze directed towards the viewer with a directness that suggests both confidence and accessibility. The sitters expression is one of gentle composure; a subtle smile plays on her lips, hinting at an inner amusement or perhaps a carefully cultivated grace.
The artist has rendered the woman’s skin tone with meticulous attention to detail, capturing the delicate blush on her cheeks and the soft luminosity of her complexion. Her hair, styled in the fashionable coiffure of the period, is powdered white and adorned with a single blue flower, a touch of naturalism amidst the formality of the arrangement. The color choice – a vibrant, almost cerulean blue – is striking against the muted tones of her dress and the dark background, drawing immediate attention to it as a focal point.
The woman’s attire is noteworthy. She wears a luxurious velvet robe, loosely draped across her shoulders, revealing glimpses of what appears to be an underdress. The fabrics sheen contributes to the overall impression of wealth and refinement. In her hand, she holds a sheet of music, its notation visible but not prominently displayed. This detail introduces a layer of subtext; it suggests a cultivated interest in the arts, specifically musical pursuits, which were considered desirable attributes for women of high social standing. The way she holds the paper – not with rigid formality, but with a relaxed and almost casual grip – implies an intimate familiarity with music, rather than merely its superficial appreciation.
The background is dark and indistinct, serving to isolate the figure and emphasize her presence. This lack of environmental detail directs the viewer’s focus entirely on the sitters face and expression. The lighting is soft and diffused, creating a flattering effect that minimizes any imperfections and enhances the sense of idealized beauty.
Overall, the painting conveys an impression of aristocratic elegance and refined sensibility. It is not merely a likeness but a carefully constructed representation intended to project an image of cultivated taste, social status, and quiet dignity.