Evaristo Baschenis – Musical instruments
1660~1670
Location: Academy Carrara (Accademia Carrara), Bergamo.
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A violin dominates the central space, its form rendered with meticulous detail. It rests diagonally across the table, partially obscuring other elements. A bow lies alongside it, suggesting a moment of interruption or cessation of performance. Adjacent to the violin is a viola, its curved body echoing the contours of the surrounding objects and contributing to the overall sense of harmony within the arrangement.
To the left, a closed fan, tied with a pink ribbon, introduces a touch of elegance and perhaps alludes to fleeting pleasures or ephemeral beauty. A small black box sits near the base of the violin, its purpose ambiguous but adding to the collection of musical accessories. Scattered sheets of music lie nearby, hinting at the creative process and the intellectual labor involved in musical composition.
A single shoe is positioned on the right edge of the table, a seemingly incongruous element that disrupts the expected order of musical instruments. Its presence introduces an unsettling note, prompting questions about its significance within the scene. It could symbolize mortality, the transience of life, or perhaps a personal connection to the musician whose tools are displayed.
The overall effect is one of melancholy and reflection. The arrangement suggests not just a collection of objects but also a meditation on themes of artistry, loss, and the passage of time. The careful placement of each item, combined with the dramatic lighting, creates an atmosphere that invites contemplation and encourages viewers to consider the deeper meanings embedded within this seemingly simple still life.