#17513 Miriam Schapiro

The composition presents a densely layered arrangement of textile fragments, unified by a vibrant red background that dominates the visual field. The central focus is on what appears to be a ceremonial garment or robe, constructed from disparate pieces of fabric exhibiting varied patterns and textures. These fabrics range in color from deep blacks and purples adorned with floral motifs to shimmering golds and yellows displaying intricate geometric designs.
The artist has employed a collage-like technique, meticulously piecing together these fragments to create an overall impression of opulence and complexity. The robe’s structure is emphasized by the sharp angles of its collar and sleeves, which jut out from the central body in a stylized manner. A vertical band of what seems to be beaded or embroidered material runs down the center of the garment, drawing the eye upward towards the elaborate collar.
The background red isnt uniform; it possesses a subtle texture that suggests either a woven fabric or an applied surface treatment. This textured backdrop serves to both highlight and integrate the various textile elements, preventing them from appearing isolated. The overall effect is one of controlled chaos – a deliberate juxtaposition of contrasting patterns and materials that coalesce into a cohesive whole.
Subtly, theres a sense of fragmentation and reconstruction at play. The garment isn’t presented as a unified entity but rather as an assemblage of disparate parts, hinting perhaps at themes of memory, cultural heritage, or the act of reassembling history. The richness of the materials suggests importance and ritual, while the fragmented nature implies a disruption or transformation of that significance. The work seems to explore the interplay between tradition and modernity, permanence and ephemerality, through its unique combination of textile elements and compositional strategy.