Hermitage ~ part 14 – Gogh, Vincent van - Memory of the Garden at Etten (Ladies of Arles)
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Дорога вдаль... Мысль о вечном... Мысль о скорби, грусти... Буйный, властный ветер хочет унести деревья в бескрайнюю даль, а они сопротивляются, вцепились корнями в землю и неуклонно борются. Напоминает сопротивление Ван Гога общественному мнению, его непоколебимая приверженность, преданность своему делу. Будто знал, что потом о нём будет говорить и восхищаться весь мир.
Почему Гог, Винсент ван. Он голландец. а Эрмитаж в России.
Я ВОСХИЩЁН. ОН истеный мастер.
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Two women are centrally placed; their gazes directed downwards, suggesting contemplation or sadness. The woman on the left possesses dark hair and wears a red shawl draped over her shoulders. Her expression is somber, and she appears to be lost in thought. Beside her stands another figure, veiled in blue with yellow accents, whose downcast eyes mirror the mood of her companion. Their proximity suggests an intimate connection, perhaps shared grief or quiet understanding.
To the right, a third individual bends over, seemingly engaged in tending to the garden. This person’s posture is more active than that of the women, but their face remains obscured, adding to the overall feeling of distance and anonymity. The figures hands are prominent, emphasizing the labor involved in maintaining this cultivated space.
The background is a swirling mass of foliage and abstract forms. A large orange area dominates the upper right quadrant, contrasting sharply with the cooler tones of the foreground and creating a sense of visual tension. This backdrop seems less representational than decorative, contributing to an atmosphere that feels both dreamlike and emotionally charged.
The color palette is predominantly cool – blues, greens, and violets – punctuated by bursts of yellow and red. The application of paint is vigorous and expressive, with visible brushstrokes adding a sense of immediacy and emotional intensity. The overall effect is one of quiet sorrow, tinged with the beauty of nature but also hinting at underlying fragility and loss. The garden itself, while visually abundant, feels less like a place of joy and more like a space for remembrance or mourning.