Rundaltsov, Mikhail Victorovich – Portrait of Emperor Nicholas II with Remarque – Portraits of Emperors Alexander I and Nicholas I Hermitage ~ part 14 (Hi Resolution images)
Hermitage ~ part 14 – Rundaltsov, Mikhail Victorovich - Portrait of Emperor Nicholas II with Remarque - Portraits of Emperors Alexander I and Nicholas I
The drawing presents a formal portrait of a man in military attire. He stands centrally within the composition, facing forward with a direct gaze. The subjects posture is rigid and upright, conveying authority and solemnity. His hands are clasped in front of him, further emphasizing his composure. A sash crosses his chest, adorned with medals and decorations indicative of high rank and service. The artist has rendered considerable detail to the uniform’s epaulettes, buttons, and collar, highlighting the meticulous nature of official portraiture. The use of shading creates a sense of volume and depth, particularly noticeable in the rendering of the face and the folds of his clothing. A subtle play of light suggests an unseen source illuminating him from above and slightly to the left. The background is plain, drawing all attention to the individual depicted. In the lower corners, smaller portraits are sketched – two men with similar facial features, though less detailed than the central figure. These appear as preliminary studies or perhaps intended as symbolic representations of lineage or predecessors. Their placement suggests a connection between the man in the center and these earlier figures, hinting at a continuity of power or familial heritage. The overall effect is one of gravitas and official representation. The artist’s skill lies not only in capturing likeness but also in conveying an image of imperial authority and tradition. A signature appears in the lower right corner, adding to the sense of authenticity and documenting the works creation.
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Rundaltsov, Mikhail Victorovich - Portrait of Emperor Nicholas II with Remarque - Portraits of Emperors Alexander I and Nicholas I — Hermitage ~ part 14 (Hi Resolution images)
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святый царю-мучениче моли бога о нас грешных
Великомученик-искупитель славян. Все знал и не убежал ради нас.
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The use of shading creates a sense of volume and depth, particularly noticeable in the rendering of the face and the folds of his clothing. A subtle play of light suggests an unseen source illuminating him from above and slightly to the left. The background is plain, drawing all attention to the individual depicted.
In the lower corners, smaller portraits are sketched – two men with similar facial features, though less detailed than the central figure. These appear as preliminary studies or perhaps intended as symbolic representations of lineage or predecessors. Their placement suggests a connection between the man in the center and these earlier figures, hinting at a continuity of power or familial heritage.
The overall effect is one of gravitas and official representation. The artist’s skill lies not only in capturing likeness but also in conveying an image of imperial authority and tradition. A signature appears in the lower right corner, adding to the sense of authenticity and documenting the works creation.