Francis Calcraft Turner – Horses Grazing- Mares and Foals in a Field
1830. 33×43
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape itself contributes significantly to the overall mood. The field stretches into the distance, subtly delineated by a receding horizon line. A cluster of trees occupies the right side of the painting, their foliage rendered with loose brushstrokes that suggest movement and vitality. A modest structure, possibly a stable or cottage, is nestled amongst the trees, hinting at human presence without dominating the scene. The sky above is turbulent, filled with swirling clouds that diffuse the light and create an atmosphere of gentle drama. Several birds are visible in flight, adding to the sense of natural dynamism.
The artist’s use of color reinforces the paintings tranquil yet evocative character. Earth tones – ochres, browns, and greens – predominate, creating a harmonious palette that evokes the feeling of a sun-drenched meadow. The horses themselves are rendered with varying degrees of detail, allowing their individual personalities to emerge. The white mare’s coat is particularly luminous, drawing attention to her graceful form.
Subtly embedded within this depiction of rural life are suggestions of themes beyond mere representation. The presence of the grazing animals speaks to a connection between humanity and nature, evoking notions of sustenance and abundance. The familial dynamic among the horses – the protective mare and her foal – resonates with universal themes of nurture and continuity. The subdued lighting and atmospheric perspective contribute to a sense of quiet contemplation, inviting viewers to reflect on the beauty and serenity of the natural world. The inclusion of the birds in flight introduces an element of freedom and aspiration, hinting at possibilities beyond the confines of the field. Overall, the painting conveys a feeling of peacefulness and harmony, celebrating the simple pleasures of rural existence.