Leonid Solomatkin – Birthday of the deacon
1862. 39.2×46.4
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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To his right, seated at a table laden with food and drink – a bowl, bread, what seems to be a pitcher, and other vessels – is another elderly man, presumably the person being celebrated. He looks directly out towards the viewer, his gaze conveying a sense of quiet dignity and perhaps a touch of melancholy. The table is covered with a patterned cloth, adding a note of domesticity to the setting.
The children are arranged in a semi-circle, their faces displaying a range of emotions – curiosity, anticipation, and a degree of shyness. Their clothing indicates varying degrees of prosperity; some wear patched or simple garments while others appear better dressed. A young boy closest to the central figure holds a small basket, likely containing food or gifts.
The room itself is sparsely furnished. The walls are dark and aged, with visible cracks adding texture and contributing to the overall atmosphere of austerity. A window on the right side allows a sliver of daylight to enter, illuminating parts of the scene while leaving others shrouded in shadow. This contrast enhances the sense of depth and draws attention to the central figures.
The painting’s subtexts revolve around themes of community, charity, and perhaps generational continuity. The act of sharing food with children suggests an emphasis on generosity and social responsibility within a close-knit group. The presence of two elderly men implies respect for elders and the passing down of traditions or values. The varying attire of the children hints at subtle class distinctions within the community, yet they are united in their participation in this shared moment. The overall impression is one of quiet solemnity and understated piety, portraying a scene from everyday life imbued with symbolic significance.