Hans Holbein the Younger (1497 or 1498-1543) – Nicholas Kratzer (1487-1550), astronomer to King Henry VIII of England Part 5 Louvre

The portrait presents a man seated at a table, his gaze directed slightly off-center, conveying a sense of quiet contemplation. He is dressed in dark, voluminous robes with a white clerical collar visible at the neck, topped by a close-fitting cap. The fabric drapes heavily, creating folds that emphasize the solidity and weight of his presence. His hands are prominently displayed; one holds a complex astronomical instrument – a quadrant or similar device – while the other rests on the table.
The setting is austere: a plain wall serves as a backdrop, punctuated by an array of scientific tools. A large set of proportional dividers hangs to the right, while a brass astrolabe sits against the wall to the left, partially obscured by a small, sealed scroll tied with ribbon. The tabletop itself is cluttered with further instruments – a circular disc with a pin in its center, scissors, and what appears to be a stylus or pen – suggesting an active workspace dedicated to intellectual pursuits. A sheet of handwritten text lies on the table as well.
The lighting is carefully controlled; it illuminates the man’s face and hands, drawing attention to his features and the tools he holds. The subdued palette contributes to a somber, dignified atmosphere.
Subtleties within the composition suggest more than just a straightforward depiction of an individual. The presence of the astronomical instruments points towards a profession linked to mathematics, astronomy, or navigation – disciplines associated with both scientific inquiry and social status during this period. The meticulous rendering of these tools underscores their importance, not merely as objects but as symbols of knowledge and expertise.
The man’s expression is difficult to read; it isnt overtly joyful or sorrowful, but rather suggests a reserved intelligence and perhaps a certain weariness associated with intellectual labor. The closed scroll hints at correspondence or private matters, adding another layer of complexity to his characterization. Overall, the painting conveys an impression of learnedness, seriousness, and a connection to the burgeoning scientific revolution of the era.