Part 5 Louvre – Elisabeth Sophie Chéron -- Self Portrait
1672, 88х73
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The artist depicted the woman draped in a striking ensemble of fabrics. A golden garment, possibly a tunic or robe, is partially revealed beneath a vibrant blue cloth loosely arranged across her shoulders and chest. The blue fabric is knotted at the front, creating a focal point that draws attention to the subject’s upper body. A white undergarment peeks out from beneath the blue drape, adding depth and texture to the composition.
In her left hand, she holds a rolled parchment or drawing. The visible portion of this document suggests architectural sketches or perhaps a technical diagram, hinting at an intellectual pursuit or profession. This detail is significant; it moves beyond a simple representation of beauty and implies a level of skill and accomplishment.
The dark background serves to isolate the figure, intensifying the focus on her presence and emphasizing the richness of her attire. The limited palette – dominated by gold, blue, white, and shades of brown – contributes to an overall sense of formality and refinement. The lighting is carefully orchestrated to highlight the textures of the fabrics and the contours of the subject’s face, creating a sense of volume and three-dimensionality.
Subtly, the portrait conveys a message of self-assuredness and intellectual engagement. The direct gaze suggests confidence and an invitation for recognition. The inclusion of the architectural drawing implies a profession or passion beyond conventional female roles of the period. The elaborate dress signifies status and refinement, while the overall composition aims to present a woman who is both beautiful and accomplished – a figure worthy of admiration and respect.