Edward William Cooke – Godstow Bridge near Oxford
1835. 24×34
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The bridge itself occupies the central axis of the painting. Its construction seems utilitarian rather than ornamental, with a simple, functional design that blends into the landscape. A small group of individuals are depicted upon it, their presence adding a touch of human activity to the otherwise serene setting.
Vegetation is abundant throughout the scene. Large trees flank both sides of the river, their foliage rendered in varying shades of green and brown, suggesting depth and texture. The artist has paid particular attention to capturing the play of light on the water’s surface, creating a shimmering effect that enhances the sense of movement and tranquility. Reflections of the bridge and surrounding vegetation are clearly visible, doubling the visual complexity and reinforcing the paintings focus on the interplay between natural elements.
The sky occupies a significant portion of the upper register, displaying a diffused light with subtle gradations of color. This atmospheric perspective contributes to the overall sense of depth and distance within the composition.
Subtly, the work conveys an impression of pastoral harmony. The bridge, while man-made, does not disrupt the natural beauty of the river; rather, it seems integrated into the landscape. The solitary figure fishing suggests a connection between humanity and nature, emphasizing themes of contemplation and quiet enjoyment. There is a sense of timelessness to the scene, as if this moment could have occurred at any point in history. The subdued palette and soft lighting contribute to an atmosphere of peaceful introspection, inviting the viewer to share in the tranquility of the depicted environment.