Giovanni Battista Tiepolo – Angel with lily and a putto handing the scapular, detail
1744. 164x270
Location: Scuola Grande dei Carmini, Venezia.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The putto, situated on the right side of the frame, is characterized by a darker complexion and tightly curled hair. He appears to be presenting something towards the angel; his hand is extended in a gesture that implies bestowal or delivery. The angle of his body suggests movement, as if he is actively participating in this exchange. His wings are smaller and more densely feathered than those of the angel, lending him a slightly different character – perhaps one of active service rather than passive contemplation.
The color palette reinforces the contrast between the two figures. The angel’s skin tones are rendered with pale pinks and yellows, while the puttos complexion is depicted using warmer browns and ochres. This visual distinction may symbolize differing roles or aspects within a divine hierarchy.
Subtly embedded in this interaction is an element of narrative ambiguity. It is unclear what object the putto offers to the angel; its absence invites speculation about its significance. The gesture itself, however, speaks to themes of grace, devotion, and perhaps even sacrifice. The differing skin tones introduce a layer of complexity that could be interpreted as representing diverse roles within a spiritual framework or hinting at broader concepts of inclusion and divine interaction across different human experiences. The overall effect is one of quiet drama and profound spiritual significance, conveyed through the delicate rendering of youthful forms and the subtle interplay of light and shadow.