Giovanni Battista Tiepolo – Martyrdom of Saint Agatha
c.1734. 48.9x30
Location: Courtauld Institute Gallery, London.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking her is a muscular figure, wielding a large blade. He stands in a posture that suggests both dominance and grim duty, his gaze directed towards the woman with an unsettling detachment. A group of onlookers – soldiers or guards – are clustered to the right, their faces registering varying degrees of involvement, from impassivity to morbid curiosity. One individual appears to be actively observing the event, while others seem more distant, almost as if witnessing a spectacle.
The setting is defined by rough-hewn stone walls and a partially visible arched opening that provides a glimpse into a brighter, indeterminate space beyond. This contrast between the darkness of the immediate environment and the implied light outside creates a sense of confinement and emphasizes the woman’s isolation. The architecture itself seems to press in on the figures, contributing to the claustrophobic atmosphere.
The color palette is dominated by earthy tones – ochres, browns, and reds – which amplify the feeling of violence and decay. The use of chiaroscuro, with strong contrasts between light and shadow, heightens the dramatic impact of the scene and draws attention to the central figure’s vulnerability.
Subtextually, the work explores themes of faith, sacrifice, and persecution. The womans posture and expression suggest a spiritual fortitude in the face of physical torment. The presence of the armed figures underscores the power dynamics at play – the imposition of authority and the suppression of belief. The architectural setting may symbolize both the institutional nature of the oppression and the enduring strength of faith even within restrictive environments. The blood, as a recurring motif, signifies not only physical suffering but also a symbolic offering or cleansing. Overall, the painting conveys a powerful narrative about endurance and devotion amidst brutality.