Giovanni Battista Tiepolo – Apollo Pursuing Daphne
1755-60. 68.5x87
Location: National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has arranged several supporting figures around this central drama. A muscular male figure in red struggles with a large amphora, seemingly attempting to impede the pursuit. Another smaller figure clings to the transformed woman, adding a layer of emotional complexity to the scene. The background is rendered with a looser brushstroke, suggesting depth and distance through atmospheric perspective; glimpses of water and sky hint at an expansive environment beyond the immediate action.
The use of light is particularly significant. A halo-like glow surrounds the pursuing figure, emphasizing his divine status and highlighting his relentless pursuit. In contrast, the transforming woman is partially shrouded in shadow, underscoring her vulnerability and the painful nature of her change. The overall effect creates a sense of heightened emotion – desperation, longing, and ultimately, loss.
Subtextually, the work explores themes of desire, rejection, and the power of transformation. The pursuit itself can be interpreted as representing an unrequited love or an unattainable ideal. The woman’s metamorphosis suggests a rejection of that pursuit, a desperate attempt to escape unwanted attention through physical change. The amphora and the struggling figure introduce elements of resistance and constraint, hinting at forces working against the natural order. Ultimately, the painting conveys a poignant narrative about the consequences of unchecked desire and the enduring power of nature to both protect and punish.