Giovanni Battista Tiepolo – Orlando Rescues Angelica from a Monster
1757
Location: Villa Valmarana, Vicenza.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above and to the right, a mounted figure charges across the sky on what appears to be a fantastical beast – a hybrid creature combining elements of a lion and an eagle. This rider wields a spear, poised for action, suggesting imminent intervention. The animal’s powerful musculature and aggressive posture convey strength and determination. The background is dominated by a pale blue sky streaked with clouds, hinting at a distant horizon line that blends into the atmospheric perspective. A scattering of birds adds a touch of dynamism to the upper portion of the scene.
The paintings subtexts revolve around themes of chivalry, salvation, and the precariousness of human existence. The woman’s posture implies a state of helplessness, requiring external assistance. The arrival of the mounted figure signifies hope and deliverance from an unspecified threat – the monster is not visible but its presence is implied by the urgency of the rescue. The contrast between the womans passive stance and the rider’s active heroism underscores traditional notions of gender roles within heroic narratives.
The fantastical nature of the beast, combined with the idealized depiction of both figures, suggests a narrative rooted in mythology or legend. The landscape itself – a blend of rocky terrain and turbulent sea – evokes a sense of untamed wilderness, reinforcing the idea that these characters are operating outside the bounds of civilized society. The artist’s use of light and shadow further enhances the drama, highlighting key elements while obscuring others, thereby guiding the viewers eye through the unfolding action.