Vladimir Taburin – It’s better not to get used to if you need to part
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COMMENTS: 1 Ответы
изумительно мило, просто поразительно, и нет слов!!!
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Beside her stands a young boy, dressed in military attire complete with a fur hat and what seems to be a rifle slung over his shoulder. His posture is stiff, almost defensive, suggesting an imposed maturity beyond his years. He looks away from the viewer, towards a distant landscape populated by indistinct figures and structures – possibly representing a place of departure or refuge.
The background itself contributes significantly to the painting’s narrative. A blurred flag is visible in the distance, hinting at national identity or allegiance, yet its lack of clarity reinforces the feeling of uncertainty and displacement. The foreground contains scattered objects – a small box and what appears to be a discarded piece of fabric – which further emphasize the sense of abandonment and loss.
The color palette is dominated by muted greens and browns, punctuated by touches of brighter hues in the distant landscape. This creates a visual tension between the immediate sadness of the children’s situation and the potential for an uncertain future. The composition directs attention to their faces, highlighting their vulnerability and the emotional weight they carry.
The inscription at the bottom, rendered in a non-Latin script, reinforces the paintings thematic concerns – a sentiment about not becoming accustomed to things when separation is inevitable. This textual element elevates the work beyond a simple depiction of children; it becomes a poignant commentary on themes of loss, resilience, and the disruption of normalcy in times of upheaval. The artist has crafted an image that speaks volumes through its understated details and carefully orchestrated visual cues.