Chanterelle Mikhail Nesterov (1862-1942)
Mikhail Nesterov – Chanterelle
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Painter: Mikhail Nesterov
Painter Mikhail Nesterov never found solace in the world of his contemporaneity. Only virgin nature was an inexhaustible source of his inspiration, which was reflected in every work of this remarkable author. He believed that with its help you can tame the turbulent and unruly temper of human nature, as well as cleanse your soul from most of the vices. In the picture "Three Elders", which has another name "Fox", the viewer sees a warm and sunny day in a forest grove.
Description of Mikhail Nesterov’s painting "The Three Elders".
Painter Mikhail Nesterov never found solace in the world of his contemporaneity. Only virgin nature was an inexhaustible source of his inspiration, which was reflected in every work of this remarkable author. He believed that with its help you can tame the turbulent and unruly temper of human nature, as well as cleanse your soul from most of the vices.
In the picture "Three Elders", which has another name "Fox", the viewer sees a warm and sunny day in a forest grove. The main characters of the painting are three elders dressed in monastic robes. They are sitting on a stump. Perhaps they stopped to rest after a long journey or decided to take time to contemplate the rich expanse of their native land.
The elders are seated in a clearing covered in green, lush grass. In the background of the painting, a calm clear river is flowing, surrounded by picturesque hills. It’s as if a haze or a gentle veil envelopes these beautiful scenery.
Ahead of the elders stretches a forest grove. Thin-bark birches, wide-spread firs and mighty pines grow there with their dense crowns reaching up to the heavens. From her green house, ducking slightly to the ground, a fox walks out. It is not afraid of people, because it knows - they will not bring it any harm and, perhaps, give it something tasty.
The old men look attentively at the forest guest. Their faces are calm and friendly. They seem to be amused by the observation of this cute and inquisitive god creature.
A visit to the Solovetsky monastery played an important role in the development of Nesterov’s creative style. He was drawn to the pure and secluded life of the monks, full of kindness and serenity.
The painter compared the world they were in to a beautiful children’s fairy tale that happened in reality. In every shrub, flower or fur-bearing animal, he found ideals hidden in his heart.
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COMMENTS: 1 Ответы
БЫТЬ РУССКИМ
Объясни себе, что значит
Русским быть?
То, что грусть мозги иначит –
Ядовита, не избыть?
То, что вечно рвёшься выше:
Мир небесный – ближе схем
Денег, быта…Выше крыши
Жаждешь прыгнуть – а зачем?
То, что в буре или в горе
Соберёшься в сгусток сил?
В жизни много траекторий –
Мнится – главной не открыл…
Что душа твоя вмещает
Черезмерно? Что она
За детей за всех страдает,
И страдать обречена?
Что порой при звуке песни
Слёзы катятся?
Порой
Ничего не знал чудесней
Тишины простой герой?
Что без подвига не хочешь
Жить? А как же совершить?
Ради брюха не хлопочешь,
На копейки лучше жить?
Русским быть – так много значит.
…слышать, как поёт метель.
И – пускай нас жизнь иначит,
Царство духа – наша цель.
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The figures themselves are positioned prominently within the foreground. Their attire suggests a traditional rural lifestyle – simple garments, a dark cap on one man, and long beards indicative of age and perhaps wisdom. They appear to be engaged in a shared moment of rest or observation, leaning against each other with walking sticks resting nearby. A small jar sits beside them, its contents unknown but potentially symbolic of sustenance or collected treasures from the surrounding environment.
To the left of the figures, a cluster of birch trees rises vertically, their pale bark contrasting sharply with the darker foliage and earth tones below. The artist has employed loose brushstrokes to depict the leaves, creating a sense of movement and vitality within this otherwise still scene. A fox is visible at the base of these trees, its presence adding an element of wildness and untamed nature to the composition.
The light in the painting appears diffused and soft, bathing the landscape in a gentle glow. This contributes to the overall mood of tranquility and introspection. The placement of the figures on the elevated knoll suggests a vantage point, not only physically but also metaphorically – perhaps representing a perspective gained through experience and age.
Subtexts within the work hint at themes of time, memory, and connection to nature. The elderly men could be interpreted as symbols of tradition or custodians of local lore. Their quiet presence evokes a sense of continuity with the past, while the vast landscape suggests the enduring power of the natural world. The fox, often associated with cunning and resourcefulness, might represent an element of resilience or adaptability within this rural setting. Ultimately, the painting invites viewers to reflect on the passage of time and the profound relationship between humanity and its environment.