Adolphe William Bouguereau – Cupid flies
1901. 170x112
Location: Frye Art Museum, Seattle.
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Below Cupid, a young woman kneels on the ground, her body leaning back and her arms reaching upwards, as if in supplication or surprise. Her gaze is directed towards Cupid, mirroring his intensity. She has long, dark hair and is rendered with soft, smooth skin, typical of classical nudes. The background is a rich tapestry of greens and browns, with dappled sunlight filtering through the trees, creating a serene and naturalistic setting.
The subtexts of the painting revolve around the themes of love and desire. Cupid, the personification of love, is about to loose an arrow, symbolizing the act of igniting love or passion. The womans posture and upward gaze suggest her awareness of Cupids presence and perhaps a yearning for love or a reaction to its impending arrival. The pastoral setting further accentuates the natural and primal aspects of love. The painting embodies the romantic ideal of love as a force that can descend upon individuals, transforming their lives. It is a celebration of loves power, its beauty, and its often sudden and unexpected nature.