Konstantin Flavizky – Princess Tarakanov
1862
Location: Ekaterinburg Museum of Fine Arts
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COMMENTS: 2 Ответы
Но... это не оригинал картины...!
Точнее это не версия из Третьяковки, а из Екатеринбургского музея изобразительных искусств. Может быть, кто-то из ЕМИИ подтвердит или опровергнет, что первая версия у них. Год создания здесь 1862, в ГТГ 1864. Размер в ГТГ существенно больше.
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The room itself is dimly lit, with a single window high in the wall providing the primary source of illumination. This light casts dramatic shadows across the walls and floor, emphasizing the figure’s isolation and vulnerability. The architecture suggests a late 18th or early 19th-century setting; the barred window and rough stone construction contribute to an atmosphere of confinement and potential danger. A simple wooden table with a pitcher sits in the corner, offering minimal comfort.
The artist has employed a muted color palette dominated by browns, grays, and reds. The limited range of colors reinforces the somber mood and contributes to the overall feeling of melancholy. The brushwork is loose and expressive, particularly evident in the rendering of the stone walls and the fur throw, which creates a sense of texture and depth.
Subtleties within the scene hint at a narrative beyond the immediate visual elements. The woman’s posture suggests not only despair but also a degree of defiance or resilience. Her upward gaze might indicate hope for rescue or divine intervention. The luxurious gown contrasts sharply with her imprisonment, implying a fall from grace or a disruption of social order. The presence of the fur throw could symbolize lost comfort and status.
The painting evokes themes of captivity, longing, and perhaps injustice. It invites contemplation on the circumstances that led to this woman’s confinement and the emotional toll it takes upon her. The ambiguity inherent in the scene allows for multiple interpretations regarding her identity and the nature of her plight.