Cimabue – Virgin and Child in Glory surrounded by six angels Part 2 Louvre

The composition presents a central figure of a woman seated upon a throne, holding an infant in her lap. She is enveloped within a radiant halo, suggesting divinity and elevated status. Surrounding this principal grouping are six figures with wings, arranged symmetrically on either side. The background is dominated by a gold leaf surface, which contributes to the overall sense of grandeur and otherworldliness.
The woman’s attire consists of a deep blue robe, richly adorned with golden detailing around the neckline and sleeves. Her face exhibits a solemn expression, her gaze directed downwards, conveying humility and maternal tenderness. The infant she cradles appears serene, his head tilted slightly towards his mother.
The winged figures, presumably angels, are rendered in pinkish-red robes, their wings meticulously detailed with individual feathers. Their faces display varying degrees of emotion, some appearing contemplative while others seem to gaze outwards. They contribute to the sense of a celestial court or heavenly assembly.
The gold background is not uniformly applied; its surface shows signs of age and wear, with areas of discoloration and loss. This patina adds depth and complexity to the work, hinting at its history and the passage of time. The lower portion of the painting appears damaged, revealing the underlying wooden panel.
Subtly, theres a sense of hierarchical order established through placement and scale. The central figures are larger and more prominent than the angels, reinforcing their importance within the narrative. The use of gold leaf not only signifies divinity but also creates a visual barrier between the earthly realm and the heavenly sphere. The overall effect is one of reverence and solemnity, characteristic of devotional art intended to inspire contemplation and piety.