Frida Kahlo – My Nurse and I
1937
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 2 Ответы
картины довольно мрачные, восприятие жизни отображенное в них можно оценить как восприятие не совсем здорового человека, с множеством психологических проблем.
Почему не удаляют хамские комментарии тех, кто мнит себя экстрасенсом-психологом? Если вы не понимаете аллегоричность искусства, то проблемы у вас, может вам стоит посмотреть детские раскраски вместо картин Фриды.
You cannot comment Why?
In Frida Kahlos painting My Nurse and I, the viewer is presented with a surreal and emotionally charged scene. A dark-skinned nurse, depicted with a mask-like face devoid of expression, holds a swaddled baby in her arms. However, this is not a typical depiction of nurturing. Instead of nursing from the breast, the baby, who appears to be a representation of Kahlo herself as an infant, is being fed with a pipe-like object connected to the nurses exposed breast. From the nurses breast, a network of root-like structures emanates, intertwining and transforming into a leafy growth that is being inhaled by the baby through the pipe. A single droplet of milk or liquid is shown falling from the nurses nipple.
The background is a somber, rainy landscape, emphasizing the somber and potentially melancholic mood of the scene. Lush green foliage surrounds the figures, suggesting a connection to nature but also perhaps a sense of entrapment within this environment.
The subtexts of this painting are rich and open to interpretation, but several key themes emerge:
Ambiguous Nurturing and Identity: The painting explores complex ideas about motherhood, childhood, and identity. The nurses masked and unfeeling face suggests a detachment or even a sense of foreignness concerning care. The unconventional feeding method implies a symbolic, rather than literal, nourishment. Kahlo is exploring her own mixed heritage and the ways in which it might have shaped her sense of self and belonging. The nurse, depicted with darker skin, could represent the indigenous or African influences in Mexican culture, while the infant Frida represents European heritage. This duality is a recurring theme in Kahlos work.
Life Force and Connection: The root-like, plant-like structure emerging from the breast and being inhaled by the child can be interpreted as the transmission of life force, culture, or even raw emotion. It suggests a deep, almost biological connection between nurse and child, but one that is mediated and transformed. The plant-like forms also tie into Kahlos enduring fascination with nature and its symbolic representation of life, death, and rebirth.
Emotional Discomfort and Alienation: The stark contrast between the nurturing act and the detached demeanor of the nurse, along with the surreal imagery, evokes a sense of emotional discomfort. It hints at a childhood marked by some form of alienation or a perceived lack of genuine emotional connection, despite the physical act of sustenance. The rain might symbolize tears, sadness, or a stormy emotional inner world.
Self-Representation and Autobiography: True to Kahlos style, this is deeply autobiographical. She is exploring her own childhood experiences and how she perceived them. The painting is a visual manifestation of her internal world, her feelings about her upbringing, and her unique sense of self, forged from multiple influences and potentially challenging early experiences. The painting, created in 1937, reflects on Kahlos early years and her relationship with her Wet Nurse, who was of African descent.