Hermitage ~ part 04 – Gauguin Paul - Two Sisters
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Неплохая его работа. Но искусство Гогена каждый воспринимает по-своему
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The artist employed a flattened perspective, minimizing depth and emphasizing the two-dimensionality of the canvas. This stylistic choice contributes to an overall sense of stillness and formality. The color palette is dominated by earthy tones – ochre, green, and pink – with touches of white in the sky and hints of orange near the lower edge. These colors are applied with broad, visible brushstrokes, contributing to a textured surface that eschews meticulous detail.
The girls’ garments, simple dresses rendered in shades of pink, appear somewhat stiff and unyielding, further reinforcing the sense of formality. The way one girl has her arm around the other suggests an intimate bond, yet their posture remains rigid, hinting at a complex dynamic between them.
The background foliage is simplified into broad planes of green, creating a dense, almost claustrophobic atmosphere that contrasts with the open sky above. This juxtaposition may symbolize a tension between the girls’ immediate surroundings and a broader, perhaps unattainable, world. The orange shapes in the foreground are ambiguous; they could be stylized flowers or abstract forms, adding an element of visual intrigue without providing definitive meaning.
Subtly embedded within this seemingly straightforward depiction is a sense of cultural displacement. The figures appear to embody a certain innocence and vulnerability, while their solemn expressions suggest a quiet awareness of forces beyond their control. The painting evokes themes of childhood, sisterhood, and the complexities of identity within a specific cultural context – a context that remains largely unarticulated but powerfully felt through the visual language employed by the artist.