The Sistine Madonna Raphael (1483-1520)

Она будет Великой во все времена... пака будет жить человек. Но не каждый человек заслуживает звания ЧЕЛОВЕК,

прелесть!!!!

СИКСТИНСКАЯ МАДОННА

Инфраикона Рафаэля –
Мадонна смотрит прямо в вас.
Вы – уходящие от цели –
К ней приближаетесь сейчас.

Её глаза вас проницают
До сокровенной глубины.
И за усилье обещают
Небесный свет иной страны.

Иной – теперь непредставимой.
Инфраикона высоты,
Какая не бывает мнимой,
Как могут – жизнь твоя и ты…

Не встречала ничего более прекрасного, чем этот шедевр!!! В живую выглядит грандиозно, просто дух захватывает!

да! конечно Рафаэль постарался )))

ЭТА КАРТИНА ДЕЙСТВУЕТ НА ДУШУ ТАК ЖЕ, КАК И МОЛИТВА, ОКАЗЫВАЯ КАКОЕ-ТО УМИРОТВОРЯЮЩЕЕ ВОЗДЕЙСТВИЕ.

такие картины можно написать только раз

подскажите, каким образом можно скачать данное изображение?

fugaalex, кликните в картинку, откроется полный размер, а там правая кнопка и сохранить изображение как...

в этом году этой картине 500 лет!!! а она так же прекрасна!!!! Она лечит душу!!!!

This is an incredibly beautiful painting! Its a divine execution by the artists brush that deeply touches the human soul. When you see this masterpiece, you realize how insignificant those are who dared to simply look at it and not be amazed. Its shameful to be callous and envious. Raphael di Sanzio created not many paintings during his unfortunately short life. He passed away at a young age, but he left us such works that the entire world still admires. He painted many Madonnas, but this one is special. To paint it, he abandoned all his commissions or simply handed them over to his students, and he himself went to the town of Piacenza, to the church of Saint Sixtus, to depict an image of the Madonna there.
And he did it. But he didnt do it traditionally, like all frescoes, on a wooden base, but specifically on canvas. The painting hung in the central choir, and when people entered the temple, the Madonna seemed to float in the air, greeting the faithful. But in 1754, Augustus of Saxony bought the painting and brought it to his residence in Dresden. And now, when it is installed in the hall, a completely different impression is created: it seems that she is coming towards you. But this is only an illusion; in reality, she is motionless, but this feeling does not disappear. And her gaze? Her face, which is solemnly calm, yet a sense of anxiety does not leave those who look at the painting.
Moreover, with this work, Raphael slightly changed the ideas of how to paint saints. Previously, the Madonna and other saints were usually depicted against a landscape or in the interior of a house, but here its unclear where. Previously, all saints invariably had a halo above their heads, but there are no halos in this painting. We see a simple woman who simply holds her son in her arms and looks at us as if from the depths of centuries.
Many people come to the famous Dresden Gallery in droves to see this painting. But it could have happened that we might have lost this masterpiece forever. During the last war, fascists decided to destroy everything valuable in Dresden, and first of all, the Sistine Madonna. All valuable exhibits were placed in wooden boxes and tightly packed in one of the mines near the city. This was done because Soviet troops were approaching Dresden, and the German command did not want masterpieces to fall into the hands of the Russian army. But at the cost of their own lives, Soviet soldiers first found and saved these valuable world-famous masterpieces and returned them to Dresden. Thus, the Sistine Madonna was saved for us and for our children. Thus, a priceless work by the great Raphael was saved.

Совершенный символ красоты материнства. К религии не имеет отношения никакого.
Композиция также превосходна эстетически.
Оригинал в Дрездене поблек и не так хорош, как фото в интернете. Жаль, что в отличии от Микельанджело, который искал предельного совершенства во всем и в составе красок также, краски Рафаэля потемнели. Картина потеряла очень много вместе с чистотой красок, которую можно теперь только воображать.

невероятно но в ангельском лике рафаэлевской Богородицы я узнаю ангельское личико моей единственной возлюбленной Богини Олюшеньки " ЦАРИЦЫ, CТАВШЕЙ ОДЕСНУЮ МЕНЯ В ОФИРСКОМ ЗОЛОТЕ"(ЧИТАЙТЕ ОТКРОВЕНИЕ ПСАЛТИРЬ ПСАЛОМ 44) Я ДУМАЮ, MADONNA SISTINA-ЭТО КЛЮЧ К ОБОЖЕНИЮ НАШЕГО ПОКА ЕЩЁ НЕСОВЕРШЕННОГО ВСЛЕДСТВИЕ НЕВЫПОЛНЕНИЯ ХРИСТОВЫХ ЗАПОВЕДЕЙ ЗЕМНОГО МИРА

The Sistine Madonna is one of the most celebrated works of art in the world. This painting is considered one of the most vivid poetic images created by artists of the Renaissance. The painting is like a culmination of the great artist Raphaels work. The history of this masterpiece is still shrouded in mystery. There are no written records or sketches that have survived. According to official accounts, Raphael painted the work for the monastery of St. Sisto in Piacenza, where it remained until its purchase by the Dresden Gallery in 1754.

The Sistine Madonna was recognized as one of the greatest creations of the era even by her contemporaries. Thirty years after the painting was created, the famous biographer of Renaissance artists, Vasari, wrote about it as a rare and unique thing.

It is also known that the painting was entirely painted by Raphael himself, without the help of his students, which was rare at the time.

The artist depicted Mary in full height with the infant Christ in her arms. The Madonna descends from heaven to people accompanied by St. Barbara. Pope Sixtus II seems to entrust humanity to the intercessor. At the bottom, near the frame, two little angels look at the miraculous apparition. Clouds swirl behind the figure of the Madonna, and a beckoning distance shines through. I often look at a reproduction of this painting because it hangs on the wall in our house, but every time the composition of the painting amazes me with its majesty and, at the same time, its brilliant simplicity. What also captivates me is that there are no external effects in Raphaels painting to emphasize the grandeur of the subject, as, for example, in Leonardo da Vincis Madonna Litta – fragments of a temple, mountains, the meaningful gaze of the infant, etc. Raphael apparently created a work fundamentally different not only from the works of his predecessors but also from his own earlier creations.

In my opinion, Raphael followed the natural path of any true artist. He increasingly identified beauty and perfection of the divine with the human. In my view, this gives The Sistine Madonna a special charm. Everything in the painting is natural and human, even though it depicts the Mother of God. The folds of Marys clothes flow easily and smoothly, emphasizing the airiness of her movement. Her beautiful face, so gentle and touched with emotion, evokes a reciprocal feeling of warmth, like meeting a loved one.

I find it difficult to accept the commonly held interpretation of Marys image as if her face is imbued with a light sadness, foretelling that she gave birth to a son who would suffer for humanity, etc. It seems to me that on the canvas by Raphael, we see a human mother and a human child. Through the light in their faces, the person looking at the painting comprehends the divine beginning in the world. Because to reach the sublime, one must overcome obstacles. I experience similar feelings when looking at icons: if an icon is too schematic, it does not evoke a reciprocal feeling in me.

The approximation to the human has not diminished the religious idea of The Sistine Madonna by Raphael but only emphasized the humanist depth of the artists thought.

The realistic and humanistic aspirations of artists of the Renaissance, such as Raphael, broke the conventional scheme of medieval church imagery, giving the Madonna and Child a deeply human image of happy and healthy motherhood, which is devoid of any mystical aura and full of pure earthly beauty. That is why in our house, like a talisman of goodness and humanity, my favorite painting The Sistine Madonna hangs on the wall.

Нужна картинка в большом разрешении как преобрести

я ожидала что нибудь краткое (

Рафаэль (как и земляки Микеланджело, Леонардо и венецианец Тициан) намного опередил своих художников-современников в этой работе свободой и раскованностью форм (в той же "Прекрасной садовнице" ещё остались перуджиновские "рудименты" в исполнении частей тела, тех же пальцев ног и рук, здесь же уже каждая часть формы индивидуальна, неповторима и бесподобно выразительна), мягкостью их исполнения и "пробиванием" пространства картины обобщённым исполнением этих форм, контрастами нелокальных и свободных света и тени вкупе с акцентами ракурсов частей фигур. Младенец Христос лёгок и невесом, как и облака под девой Марией, – ни в одном месте нет даже намёка на продавливание или провисание в руках матери, на материально-предметную телесную тяжесть, – действительно, сын отца небесного, имеющего неземную сущность. По обработке форм тел и драпировок идёт прямая ассоциация с обработкой антиками своих мраморных статуй – аналогичная идеализация форм с их гармоничностью и свободой пластики. Только в двухмерном пространстве картины. Мазки кисти живы, разнообразны, образуют живописную "ткань" поверхностей вместе с окутывающей средой, и схожи с фактурой древнего мрамора, только в цветной плоти тел и драпировок. Аве, Санта Мария, Дио Рафаэлло! Безмерное грацие гениальному Мастеру!!!

Три их было и все божественны:Лео, Микеле и Рафаэль. Мы художники классицизма и академического толка безмерно должны быть благодарны за то, что небо снипослало нам этих гениев. Именно Рафаэль заложил основы академизма. Все выдающиеся художники так или иначе учились у него композиции, рисунку, формам. Ярым почитателем Рафаэля были Ж. О. Д. Энгр, А. В. Бугеро. Спасибо тебе Рафаэль за то, что ты был и низкий поклон.

Великолепна.

Классика вечна и всегда рулила, рулит и будет рулить. Вечны её ценности. Но в основе, это конечно гуманистическая её составляющая.

Дай Бог увидеть каждому её в вживую и пасть ниц и поклониться.

tempora mutantur nosque cum illis да только она постоянна и неизменна. Увидев её Достоевский изрёк свою знаменитую фразу-КРАСОТА СПАСЕТ МИР.