Part 3 Prado Museum – Villandrando, Rodrigo de -- Isabel de Borbón, reina de España, primera esposa de Felipe IV
1620, 126 cm x 91 cm, Lienzo, Óleo.
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COMMENTS: 2 Ответы
поправка насчет Анонима – автор картины вполне известен.
это художник Родриго де Вилландрандо, предшественник Веласкеса
Верно, спасибо!
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Here we see an elaborate costume dominating the visual field. The dress appears to be constructed from dark fabric, possibly velvet or silk, intricately embroidered with gold floral patterns. This ornamentation suggests wealth and high social standing. The sleeves are voluminous and layered, further contributing to the impression of opulence. A large, starched lace ruff frames her face, a common fashion detail signifying nobility and refinement during the period. The jewelry – rings on her fingers and a necklace around her neck – reinforces this perception of affluence.
The lighting is carefully controlled; it illuminates her face and upper body while leaving the lower portion of the dress in shadow. This technique draws attention to her countenance, highlighting her features and emphasizing her role as the central subject. The subtle play of light on the lace ruff creates a delicate texture that contrasts with the richness of the embroidered gown.
Beyond the surface depiction of wealth and status, there are subtexts at play. Her direct gaze suggests an awareness of her position and a willingness to be scrutinized. The dark background, while visually isolating her, also contributes to a sense of solemnity or even melancholy. The restrained expression on her face hints at a possible underlying complexity – perhaps the burdens associated with royal duty or personal sacrifices made for political alliances.
The overall effect is one of controlled grandeur and quiet authority. The artist has not merely recorded a likeness but crafted an image intended to project power, dignity, and a carefully constructed persona appropriate for someone of high rank.