Tischbein, Johann Friedrich August – Zelfportret, 1782 Rijksmuseum: part 3

This is a self-portrait of Johann Friedrich August Tischbein, painted in 1782. The portrait depicts a man with powdered white hair styled in a fashionable wig of the late 18th century. He is wearing a dark brown coat over a white ruffled shirt and cravat, typical attire for a gentleman of that era.

Tischbein is looking directly at the viewer, with a composed and self-assured expression. His blue eyes are keen, and his gaze is steady, suggesting an introspective and confident personality. The lighting in the portrait is soft, coming from the left, which accentuates the contours of his face and adds depth to the painting. The background is a dark, muted tone, which serves to highlight the figure and focus attention on the subject.

The painting exhibits a fine network of craquelure, a sign of its age, which adds a unique texture and depth to the surface of the canvas. This characteristic crackling is common in oil paintings of this period and does not detract from the overall impact of the portrait.

Subtexts within this self-portrait can be interpreted as:

• Assertion of Identity and Status: As a self-portrait, the painting serves as a declaration of authorship and artistic skill for Tischbein. By presenting himself in such a distinguished manner, he is likely aiming to project an image of a successful and respected artist and gentleman.
• Introspection and Self-Awareness: The direct gaze and composed demeanor suggest a period of self-reflection. Artists often use self-portraits to explore their own identity, their place in the world, and their artistic vision.
• Conformity to Social Norms: The clothing and hairstyle are indicative of adherence to the fashion and social conventions of the late 18th century, suggesting Tischbeins integration within the polite society of his time.
• Artistic Craftsmanship: The rendering of the textures of the fabric, the subtle nuances of skin tone, and the controlled brushwork demonstrate Tischbeins technical proficiency as a painter. The portrait is a visual testament to his mastery of the art form.