Portrait of I.A. Krylova Karl Pavlovich Bryullov (1799-1852)
Karl Pavlovich Bryullov – Portrait of I.A. Krylova
Edit attribution
Download full size: 1708×2048 px (0,3 Mb)
Painter: Karl Pavlovich Bryullov
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
The painter and representative of the classical "watercolor" school, Karl Bryullov, has executed a most beautiful portrait of the fable writer I. A. Krylov. At first glance, the portrait strikes with its execution and deep filling of the psychological characteristic and a certain poetry, which is inherent not only in the epistolary genre, but also in the artistic one. To a large extent, this is all made possible by the very image of the writer and his face. As you can see, Krylov is depicted here in his old age or close to that age, as evidenced by his puffy face, along with strands of hair, which have already had time to sit and haphazardly descend on the scales and forehead of the writer.
Description of Karl Bryullov’s Portrait of I. A. Krylov
The painter and representative of the classical "watercolor" school, Karl Bryullov, has executed a most beautiful portrait of the fable writer I. A. Krylov. At first glance, the portrait strikes with its execution and deep filling of the psychological characteristic and a certain poetry, which is inherent not only in the epistolary genre, but also in the artistic one. To a large extent, this is all made possible by the very image of the writer and his face.
As you can see, Krylov is depicted here in his old age or close to that age, as evidenced by his puffy face, along with strands of hair, which have already had time to sit and haphazardly descend on the scales and forehead of the writer. The drooping eyebrows only emphasize the tension of the entire image, which hangs in an endless stream of human thoughts.
The writer’s costume does not seem to be intended for going out, it is so simple that it is most likely his home attire. The same can be said about the way it sits awkwardly on the writer, clearly not the shape of his corpulent figure. You can notice that the insignia and orders, which are worn on the neck and chest of Krylov, the artist has skillfully covered the lapel of the coat, so the portrait does not look pompous. The only thing visible is the silver glow of the star, which is half-covered. Even the red ribbons of Annensky and Vladimirsky crosses, does not violate the positive impression of the simplicity of the image performed, not vilified by dignified attributes.
Particularly qualitative was conveyed by the artist Krylov look, which is filled with wisdom, which is inherent in the writer’s life. Krylov could very elegantly express acute moments of social character, hiding them under a veil of humor. It is worth adding that the portrait is unfinished, despite all its uniformity and apparent completeness.
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).















COMMENTS: 9 Ответы
НИЧЕГО...
хороший писатель
Согласна=)
Прекрасный писатель
))
Хороший писатель, хорошо получилось)
нормальный писатель...
норм
оооо
Крутой мужчина.
You cannot comment Why?
Krylov is dressed in a dark, formal coat, likely of velvet or a similar heavy fabric, buttoned at the front. Beneath this, he wears a white shirt and a reddish cravat or scarf. His hair is white and brushed back, with sideburns framing his face. He appears to be middle-aged or older, and his features suggest a thoughtful and perhaps weary demeanor. A medal or decoration is visible pinned to his coat.
The background is dark and textured, with deep reds and browns that create a somber and rich atmosphere, allowing the figure of Krylov to stand out. The lighting is focused on his upper body and face, highlighting his features and the details of his attire.
The subtexts of this portrait likely relate to Krylovs stature as a respected figure in Russian literature. The formal attire and the medal suggest his social standing and recognition. His direct, yet thoughtful gaze, and the somewhat somber background, might allude to the seriousness and profound observations present in his fables, which often carried moral and social commentary. The painting aims to capture not just his likeness, but also his intellectual gravitas and his position within society.