Metropolitan Museum: part 1 – Giuseppe Bartolomeo Chiari - Bathsheba at Her Bath
Giuseppe Bartolomeo Chiari: Italian, Roman, 1654–1727 Oil on canvas; 53 1/2 x 38 1/2 in. (135.9 x 97.8 cm)
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Шикарная картина. Плохо только одно: ЖЕНЩИНЫ-прекрасный пол. Мы, мужики, должны мыть им Ноги, а не наоборот, и тем более, не другие ЖЕНЩИНЫ. Я своей Жене каждый день Ноги мою, потому что люблю и поклоняюсь ей как Богине. Поклоняться ЖЕНЩИНАМ почётно, стыдно перед другими мужиками "прогибаться"
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The woman seated on the bench is draped in flowing white fabric, revealing portions of her body that are rendered with considerable attention to anatomical detail and skin texture. Her hair is elaborately styled, adorned with ribbons or flowers, indicating a status beyond simple domesticity. The attendant standing behind her holds a hand mirror, directing the central figure’s gaze towards herself – an action which introduces a layer of vanity and self-scrutiny into the narrative. A third woman kneels at the foot of the bench, tending to the womans feet with a cloth.
The background is carefully constructed to create depth and atmosphere. A classical colonnade provides a backdrop, partially obscured by lush foliage and hinting at an expansive garden or landscape beyond. Above the colonnade, a sculpted bust emerges from the architecture, its presence adding a sense of grandeur and timelessness to the scene. The lighting is dramatic, with strong contrasts between light and shadow that accentuate the figures’ forms and contribute to the overall sense of theatricality.
Subtleties within the painting suggest complexities beyond a simple depiction of bathing. The direct gaze of the reclining woman implies an invitation or challenge directed at the viewer, blurring the lines between observer and participant. The presence of the attendants can be interpreted as symbolic of servitude or perhaps even complicity in a narrative that might involve hidden desires or transgressions. The sculpted bust overlooking the scene introduces a sense of judgment or observation from a higher power, adding another layer to the potential meaning of the depicted events. The overall effect is one of restrained sensuality and subtle psychological tension, inviting contemplation on themes of beauty, vanity, and social dynamics.