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Япония. Пейзажи и сады,
И кладка крепостей, конечно, древних.
Культуры старой золото-плоды.
Сверхвежливость. Улыбки. Мир в деревнях.
Кипенье в городах…Не то, не то…
Всё внешнее, код нации не ясен,
Его меняет современность – тон
Чей резок, а порой весьма опасен.
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The land on either side rises gently into hills, also heavily forested. These slopes are depicted using a palette of ochre, yellow, and muted greens, creating a sense of warmth and distance. A distant mountain peak appears faintly visible through the haze, adding to the impression of vastness and scale. The artist employed a layered approach, with receding planes indicated by changes in color intensity and detail; the background elements are softer and less defined than those closer to the viewer.
A small structure, possibly a temple or dwelling, is situated on the right bank, partially obscured by trees. This element introduces a human presence into the otherwise natural scene, hinting at a relationship between humanity and the environment.
The composition adheres to principles of traditional East Asian landscape painting, emphasizing harmony and balance. The deliberate use of perspective creates an illusion of depth while maintaining a flattened quality characteristic of woodblock prints. The inclusion of Japanese characters in the upper right corner suggests textual commentary or identification related to the scene’s location or significance.
Subtly, theres a sense of tranquility conveyed through the muted color scheme and balanced composition. It evokes contemplation and an appreciation for natures grandeur. The placement of human structures within this expansive landscape might also suggest themes of humility and the transient nature of human endeavors in contrast to the enduring power of the natural world.