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ИЕРОГЛИФЫ
Иероглифов ряды, гряды,
Хрусткие кусты, литые тайны –
Тайны высоты и красоты,
Глубины, и центра, и окраины.
Смотришь. Не понять. Ряды идут –
Завитки, пунктирная работа.
Нежность – и величье свода,
Под каким сады цветут.
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The color palette is restrained, primarily utilizing muted tones of blue, green, brown, and pink. The mountains slopes are rendered in shades of pink and grey, suggesting either a sunset or dawn light, while the water reflects these colors with varying intensity. The bridge appears almost ethereal due to its pale coloration and the atmospheric perspective employed – it diminishes in clarity as it recedes into the distance.
The artist’s technique involves distinct brushstrokes and a degree of simplification in form. Details are suggested rather than meticulously rendered, contributing to an overall sense of tranquility and spaciousness. The foreground elements are more defined, drawing the viewers eye towards the central focus – the bridge and the mountain beyond.
A significant aspect of this work is the extensive calligraphy that fills much of the upper portion of the composition. These inscriptions, written in a flowing script, likely contain poetic verses or descriptive text related to the scene depicted. The placement of the calligraphy partially obscures the landscape, creating an interplay between visual representation and textual commentary. This integration suggests a deliberate attempt to combine artistic expression with literary interpretation, characteristic of certain East Asian traditions.
Subtly, theres a sense of human presence within this vast natural setting. The bridge acts as a symbolic link between different parts of the landscape, implying connection and passage. The small structures in the foreground hint at human habitation, but they are dwarfed by the scale of the mountain, reinforcing the power and immensity of nature. Overall, the work conveys a feeling of reverence for the natural world, combined with an appreciation for its beauty and grandeur.